March 8, 2014
Actress was Hitchcock’s prototype of uneasy blondesTuesday, December 17, 2013
Joan Fontaine, Oscar-winner for Suspicion, dies at 96
Academy Award-winning actress Joan Fontaine, who found stardom playing naive wives in Alfred Hitchcock’s Suspicion and Rebecca and was also featured in films by Billy Wilder, Fritz Lang and Nicholas Ray, died Sunday. She was 96. Fontaine, the sister of fellow Oscar winner Olivia de Havilland, died in her sleep in her Carmel, California, home Sunday morning, said longtime friend Noel Beutel. Fontaine had been fading in recent days and died “peacefully,” Beutel said.
Fontaine’s pale, soft features and frightened stare made her ideal for melodrama and she was a major star for much of the 1940s. For Hitchcock, she was a prototype of the uneasy blondes played by Kim Novak in Vertigo and Tippi Hedren in The Birds and Marnie. The director would later say he was most impressed by Fontaine’s restraint. She would credit George Cukor, who directed her in The Women, for urging her to “think and feel and the rest will take care of itself.”
Fontaine appeared in more than 30 movies, including early roles in The Women and Gunga Din, the title part in Jane Eyre and in Max Ophuls’ historical drama Letter from an Unknown Woman. She was also in films directed by Wilder (The Emperor Waltz), Lang (Beyond a Reasonable Doubt) and, wised up and dangerous, in Ray’s Born to be Bad. She starred on Broadway in 1954 in Tea and Sympathy and in 1980 received an Emmy nomination for her cameo on the daytime soap Ryan’s Hope.
Fontaine had minor roles in several films in the 1930s, but received little attention and was without a studio contract when she was seated next to producer David O. Selznick at a dinner party near the decade’s end. She impressed him enough to be asked to audition for Rebecca, his first movie since Gone With the Wind and the American directorial debut of Hitchcock. With Laurence Olivier as Maxim, Fontaine as the unsuspecting second wife and Judith Anderson as the dastardly housekeeper Mrs. Danvers, Rebecca won the Academy Award for best picture and got Fontaine the first of her three Oscar nominations.
Rebecca made her a star, but she felt as out of place off-screen as her character was in the film. She remembered being treated cruelly by Olivier, who preferred his then-lover Vivien Leigh for the role, and being ignored by the largely British cast. Her uncertainty was reinforced by Hitchcock, who would insist that he was the only one who believed in her.
Hitchcock’s Suspicion, released in 1941, and featuring Fontaine as the timid woman whose husband (Cary Grant) may or may not be a killer, brought her a best actress Oscar and dramatized one of Hollywood’s legendary feuds, between Fontaine and de Havilland, a losing nominee for Hold Back the Dawn.
Competition for the prize hardened feelings that had apparent roots in childhood (“Livvie” was a bully, Joan an attention hog) and endured into old age, with Fontaine writing bitterly about her sister in the memoir No Bed of Roses and telling one reporter that she could not recall “one act of kindness from Olivia all through my childhood.” Fontaine’s most daring role came in the 1957 film Island in the Sun, in which she had an interracial romance with Harry Belafonte. Several Southern cities banned the movie after threats from the Ku Klux Klan.
“You know, I’ve had a helluva life,” Fontaine once said. “Not just the acting part. I’ve flown in an international balloon race. I’ve piloted my own plane. I’ve ridden to the hounds. I’ve done a lot of exciting things.”
Herald with AP